
Joy
Adler’s ‘Postcards’ crackles with passion
Reviewed
by Brooke Curtis
Joy Adler/Postcards
There’s certainly no shortage of female singer/songwriters out
there, and the number has certainly grown since the mammoth success
of Sheryl Crow and Norah Jones. Alas, there are many women who arrive
with a catchy guitar riff and a poetic pen but have no voice, either
one that is stylistically distinct or technically impressive. Joy
Adler is among the few with all of those qualities intact.
Although the songs on Postcards are easily accessible, they seem more
personal to me than radio-ready attempts to achieve commercial success.
You instantly get the feeling that Adler recorded this CD mainly to
express herself and not just to acquire a quick pop hit, which has
sadly become harder without a million-dollar record label behind you.
Avoiding the bland slickness of Adult Contemporary radio, Adler looks
to Americana, blues, and jazz for inspiration. Even the Cult’s
Goth-metal landmark “She Sells Sanctuary” is given a bluesy
makeover, quite unlike anything you’d hear on alternative-rock
stations either during the mid-’80s or today.
Of Adler’s original material, many of them sparkle, some way
more than others. I’m partial to the pretty piano compositions
like “Our Rapture” and “Your Love Is Everything,”
wherein Adler is reminiscent of Tori Amos but with definitely more
soul. It’s the passion that Adler equips these tunes with that
make them crackle, give them added intimacy.
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Brooke Curtis